History warns us that the media have been too late in the past to react to an autocratic movement or a despotic leadership. The press was censored with little to no resistance under Hitler, Stalin and Mussolini's movements and in astonishingly quick fashion. The press has crumbled under autocracy, overtaken by propaganda and become mouthpieces for leaders. It has failed in the past, absurdly, to do its job and serve its purpose - and we're painfully aware of the consequences of a biased, politically driven press.
President Trump's first week was not going to plan before it even started. The rumblings of potential headcounts for the women's marches overshadowed his seemingly puny inauguration. Mourning for the loss of Obama from the oval weighed heavy on social media, and that leering, ludicrous Moscow debacle still lingered around the edges of the media. There was no excitement, no international awe at the impending swearing in - just anger, fear, consternation and rebellion.
"When one tugs at a single thing in nature, he finds it attached to the rest of the world" -John Muir pic.twitter.com/AJYOGAVeu8
— JohnMuirNHS (@JohnMuirNPS) January 27, 2017
His reaction was, as predicted, immense. Bold, brash misogyny littered newsfeeds for the entire week - an outpouring of grief from the rest of the world. What have you done?
The marches did little to deter from his agenda; he didn't listen, see, nor did he care about anything emboldened on the hundreds of thousands of signs made to get his attention. And when one of his underling agencies inflamed him with rage on his favourite social platform for verbosity - gag orders were sent down from the oval.
The horrifying word that was rattled around in the wake of his election and his tirade against the media became a reality last week when he imposed a gag order on some of his governmental agencies, including the Environmental Protection Agency(EPA) among others, who have been sceptical of the new president since his appointment of Scott Pruit to leader of the agency.
The National Parks Service twitter was deactivated after they retweeted the picture that has gone viral indicating the major difference between Obama's inauguration and Trump's, a difference he vehemently denied in a cringey statement made at the C.I.A.
NPR suggest that these accounts could be a logical way to oppose media blackouts, and indeed they're right. Where history indicates people were too slow to react to a potential autocrat and report on their malice or wayward political approach - these rogue twitter accounts pre-empt what has the potential to become a very angry, insolent and ignorant presidency.
Instead of the media having to plunge itself into what during the wars became known as 'The Underground' press, the internet - social media and other outlets allow for a new type of freedom that cannot be reduced to a meagre newsletter handed out through rebel channels.
If this past week has proven anything it's that the president continues to align himself with those names we dare mention above, that have haunted history since the beginning of the last century, and does not look like stopping. His ascendancy to power bares a striking and unnerving resemblance to that of the Nazi party in the 1930's backed by racism, fear and a discontent with a 'weak' government(and some foreign governmental help). The anti-semitism that pervaded Adolf Hitler's campaign is near replicated in the beginning of his immigration policy implemented this past week. His next step would have been to censor the media and place a trusted adviser to take over and begin impugning the press with propaganda.
Therein lies the major difference between the 1930's and now.
You cannot shut down the New York Times or silence the Washington Post - you cannot close Twitter or Facebook, and you most certainly cannot eradicate internet sites like Buzzfeed or Mashable. They are too large, too prevalent, the presidency only gets you so far.
What you can do — and what is futile — creating an even bigger resistance, is shut down these minor accounts, only to serve the purpose of cutting the head off a monster similar to Fluffy from Harry Potter. Another will always come up in its place.
Nazi Propaganda Chief Goebbels.
Courtesy of New Statesman
In many ways I am a shining example of the American Dream. I was born in Hungary during the Communist era, and my family fled to Israel before coming to the U.S. in pursuit of freedom and safety. When we arrived, I was just a young, shy girl who couldn't speak English. After my childhood in Hungary, New York City was a marvel; I couldn't believe that such a lively, rich place existed. Even a simple thing like going to the market and seeing all the bright, colorful produce and having so many choices was new to me. I'll never take that for granted. I think it's where my love affair with color truly began.
One thing I had was a strong work ethic. I worked hard in school, to learn English, and at jobs including my first job at Dairy Queen -- which I loved! Ice cream is easily my favorite food. From there, I moved into the garment district where my brother-in-law's family had a business. During this time, I was able to see how a business was run and began to hone in on my eye for aesthetics and willingness to work hard at any task I was given.
Eventually, my brother-in-law bought a dental supply company in Los Angeles and asked me to join him. LA, a place with 365-days of sunshine. How could I say no? The company started as Odontorium Products Inc. During the acrylic movement of the 1980s, we realized that nail technicians were buying our product, and that the same components used for dentures were used for artificial nails. We saw a potential opening in the market, and we seized it. OPI began dropping off the "rubber band special" at every salon on Ventura Blvd. in Los Angeles. A jar of powder, liquid and primer – rubber-banded together – became the OPI Traditional Acrylic System and was a huge hit, giving OPI its start in the professional nail industry. It was 1981 when OPI first opened its doors. I couldn't have predicted our success, but I knew that hard work and faith in myself would be key in transforming a new business into a company with global reach.
When we started OPI, what we were doing was something new. Before OPI came on the scene, the generic, utilitarian nail polish names already on the market – like Red No. 4, Pink No. 2 – were completely forgettable. We rebranded the category with catchy names that we knew women could relate to and would remember. The industry was stale and boring, so we made it more fun and sexy. We started creating color collections. I carefully developed 30 groundbreaking colors for the debut collection -- many of which are still beloved bestsellers today, including Malaga Wine, Alpine Snow and Kyoto Pearl.
There is no other nail color brand in the world that touches the totality of industries the way OPI does.
With deep roots in Tinseltown, we eventually started collaborating with Hollywood. Our decision to collaborate with the entertainment industry also propelled OPI forward in another way, ultimately leading us to finding a way to connect with women beyond the world of beauty, relating our products to the beverages they drink, the cars they drive, the movies they watch, the clothes they wear – even the shade they use to paint their living room walls! There is no other nail color brand in the world that touches the totality of industries the way OPI does. It also propelled my growth as a businessperson forward. I found myself sitting in meetings with executives from some of the top companies in the world. I didn't have a fancy presentation. I didn't have a Harvard business degree. I realized that what I had was passion. I had a passion for what we were doing, and I had my own unique story that no one else could replicate.
Discipline, hard work, and passion gave me the confidence to grow from that shy immigrant girl to become the person that I am today
Bit by bit, I grew up with the business. Discipline, hard work, and passion gave me the confidence to grow from that shy immigrant girl to become the person that I am today -- an author, public speaker, and co-founder of OPI, the world's #1 professional nail brand.
I learned quickly that one can be an expert at many things, but not everything. Running a business is very hard work. Luckily, I had someone I could collaborate with who brought something new to the table and complemented my talents, my brother-in-law George Schaeffer. My business "superpower," or the ability to make decisions quickly and confidently, kept me ahead of trends and competition.
Another key to my success in building this brand and in growing in business was being authentic. Authenticity is so important to brands and maybe even more so now in the time of social media when you can speak directly to your consumers. I realized even then that I could only be me. I was a woman who knew what I wanted. I looked at my mother and daughter and wanted to create products that would excite and empower them.
There's often an expectation placed on women in charge that they need to be cutthroat to be competitive, but that's not true. Rather than focusing on my gender or any implied limitations I might bring to the job as a female and a mother, I always focused instead on my vision. I deliberately fostered an environment at OPI filled with warmth. After all, at the end of the day, your organization is only as good as its people. I've always found that being nice, being humble, and listening to others has served me well. Instead of pushing others down to get to the top, inspire them and bring them along on the journey.
You can read more about my personal and professional journey in my new memoir out now, I'm Not Really a Waitress: How One Woman Took Over the Beauty Industry One Color at a Time.