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10 Questions With Grammy Winning Jazz Songstress, Cécile McLorin Salvant

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Jazz in the 21st century has proven to be a conundrum. The popularity of rap and auto-tuned djing has meant the more traditional forms have faded into oblivion when facing off with the Taylor Swifts and Kanye West of the worlds.


Even last year's beloved La La Land, was criticized for its portrayal of the music that defined the 1920's. Damien Chapelle's film, as lauded as it was, showcased jazz through the lens of a white man trying to save a genre of music historically intertwined with black culture.

So if La La Land is the best depiction of jazz this generation could come up with - does this bode well for the future of the genre? Or is this just another treasure "millennials have ruined?"

Cécile McLorin Salvant would have you believe otherwise.

Her meteoric rise to fame signals that not only is the form not dying - but that there's a new wave of followers coming to support and adore the genre (and her incredibly evocative vocals).

Growing up in Miami, Salvant was musical instantly, beginning the piano at age four. With familial encouragement, she sprouted an interest in this near century-old form, and by the time she was 24 she received her first Grammy nomination for WomanChild.

She may have lost out that year to Gregory Porter, but it was to be hers in 2016. Her winning album For One To Love took home the "Best Jazz Vocal Award" after receiving acclaim from critics throughout the world. "She treats love not just as a many-splendored thing," remarks critic James Reed in a review of the album, "but also as a source of consternation and a time of reflection." It was then perhaps a perfect time to be at the forefront of the industry, for, whatever the implication, people were talking jazz again with the upcoming release of Chapelle's picture.

Now, Salvant is a household name in modern jazz, selling out some of the most esteemed venues in the world, including New York's Village Vanguard, and Le Trianon in Paris, she also took to the famed Hollywood Bowl stage as the opening act for Bryan Ferry this past September. Below, we talk with Salvant about her incredible career, cementing herself with the genre's greats and her opinions on the current state of jazz.

1. How did you get into jazz?

I first heard and loved jazz thanks to my mother. I wanted to sing classical music though. When I moved to France after high school, I met a jazz teacher at the music school I wanted to go to, and he encouraged me to pursue it.

2. Who are your biggest inspirations?

Louise Bourgeois, Colette, Nathalie du Pasquier, Thelonious Monk, Sonny Rollins, Marisol, Barbara, Mercedes Sosa, Bessie Smith, Patricia Lockwood, Anne Sexton, James Blake.

Cecile Mclorin Salvant

3. In an age of auto-tuning, how does jazz remain relevant?

I am not interested in the idea of relevance. I think concern with contemporary relevance can be a pitfall in any kind of creative endeavor. It's like caring if something is trendy. (Unless you consider the word "relevance" as a connection between ideas.)

I am interested in the idea of presence. I want to communicate across time, through time, play with time, rather than thinking of it in such a way as "that was then and this is now."

4. Lala Land made such a big impact and had a lot of people talking about jazz - why in your opinion did it resonate so much?

La la Land is unfortunately another example of people talking about jazz, and the lifestyle of jazz, without any actual jazz within it. It is in line with a certain obsession with 'branding' and visuals that blocks us from actual experiences. On the one hand it's lovely to hear someone talking about jazz in a movie, but if jazz is only an idea and something someone can talk about, rather than an actual experience of music, it is quite unfortunate.

5. You create all your own album artwork - have you always been so creative/multi-talented

I feel in a lot of ways like I never lost that sort of shameless searching a child has. I enjoy drawing without a real purpose, and testing things out. I also love making my albums a very personal experience, inside and out.

6. You started playing the piano aged 4 - how does it influence your vocals?

I still play the piano a little bit. I'm not sure how it influences my singing, but it definitely helps with songwriting!

7. When did you first realize you wanted to become a jazz singer?

I don't think there was a big realization moment. I was just singing, doing concerts, and it sort of kept going naturally from there.

8. How hard has it been to get your name out there, create a fan base?

I haven't put an enormous amount of effort in getting my name out there. The effort has been in the content of the music, in my singing, in understanding the history of the music. In that way I have been lucky, because I didn't focus energies outward. I tried to make sure I was developing as a musician without sacrificing time on things I didn't understand like popularity, branding, and my name. I feel so grateful for that because I know that is not the case for everyone.

9. You only wear Issey Miyake on stage - is there a particular reason for this?

I love how the dresses look and move, how light they are, how there's really only one size, and that you can travel with them sort of rolled up in a suitcase without worrying about ironing them.

10. How did the Grammy Award change your life and career?

I'm not sure! Getting the Grammy was a beautiful moment shared with my family and my band. We got this mainstream validation for a record that had not been influenced by the penchants of the music industry. This is to say, we made exactly the album we really wanted to, without any compromises to placate a label, or to attempt to become more popular. For this I am grateful, and feel encouraged to keep developing the content of my music. To not focus on my "brand" or lack thereof. I can continue being 'anti-brand' and 'pro-content'!

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Health

Patriarchy Stress Disorder is A Real Thing and this Psychologist Is Helping Women Overcome It

For decades, women have been unknowingly suffering from PSD and intergenerational trauma, but now Dr. Valerie Rein wants women to reclaim their power through mind, body and healing tools.


As women, no matter how many accomplishments we have or how successful we look on the outside, we all occasionally hear that nagging internal voice telling us to do more. We criticize ourselves more than anyone else and then throw ourselves into the never-ending cycle of self-care, all in effort to save ourselves from crashing into this invisible internal wall. According to psychologist, entrepreneur and author, Dr. Valerie Rein, these feelings are not your fault and there is nothing wrong with you— but chances are you definitely suffering from Patriarchy Stress Disorder.


Patriarchy Stress Disorder (PSD) is defined as the collective inherited trauma of oppression that forms an invisible inner barrier to women's happiness and fulfillment. The term was coined by Rein who discovered a missing link between trauma and the effects that patriarchal power structures have had on certain groups of people all throughout history up until the present day. Her life experience, in addition to research, have led Rein to develop a deeper understanding of the ways in which men and women are experiencing symptoms of trauma and stress that have been genetically passed down from previously oppressed generations.

What makes the discovery of this disorder significant is that it provides women with an answer to the stresses and trauma we feel but cannot explain or overcome. After being admitted to the ER with stroke-like symptoms one afternoon, when Rein noticed the left side of her body and face going numb, she was baffled to learn from her doctors that the results of her tests revealed that her stroke-like symptoms were caused by stress. Rein was then left to figure out what exactly she did for her clients in order for them to be able to step into the fullness of themselves that she was unable to do for herself. "What started seeping through the tears was the realization that I checked all the boxes that society told me I needed to feel happy and fulfilled, but I didn't feel happy or fulfilled and I didn't feel unhappy either. I didn't feel much of anything at all, not even stress," she stated.

Photo Courtesy of Dr. Valerie Rein

This raised the question for Rein as to what sort of hidden traumas women are suppressing without having any awareness of its presence. In her evaluation of her healing methodology, Rein realized that she was using mind, body and trauma healing tools with her clients because, while they had never experienced a traumatic event, they were showing the tell-tale symptoms of trauma which are described as a disconnect from parts of ourselves, body and emotions. In addition to her personal evaluation, research at the time had revealed that traumatic experiences are, in fact, passed down genetically throughout generations. This was Rein's lightbulb moment. The answer to a very real problem that she, and all women, have been experiencing is intergenerational trauma as a result of oppression formed under the patriarchy.

Although Rein's discovery would undoubtably change the way women experience and understand stress, it was crucial that she first broaden the definition of trauma not with the intention of catering to PSD, but to better identify the ways in which trauma presents itself in the current generation. When studying psychology from the books and diagnostic manuals written exclusively by white men, trauma was narrowly defined as a life-threatening experience. By that definition, not many people fit the bill despite showing trauma-like symptoms such as disconnections from parts of their body, emotions and self-expression. However, as the field of psychology has expanded, more voices have been joining the conversations and expanding the definition of trauma based on their lived experience. "I have broadened the definition to say that any experience that makes us feel unsafe psychically or emotionally can be traumatic," stated Rein. By redefining trauma, people across the gender spectrum are able to find validation in their experiences and begin their journey to healing these traumas not just for ourselves, but for future generations.

While PSD is not experienced by one particular gender, as women who have been one of the most historically disadvantaged and oppressed groups, we have inherited survival instructions that express themselves differently for different women. For some women, this means their nervous systems freeze when faced with something that has been historically dangerous for women such as stepping into their power, speaking out, being visible or making a lot of money. Then there are women who go into fight or flight mode. Although they are able to stand in the spotlight, they pay a high price for it when their nervous system begins to work in a constant state of hyper vigilance in order to keep them safe. These women often find themselves having trouble with anxiety, intimacy, sleeping or relaxing without a glass of wine or a pill. Because of this, adrenaline fatigue has become an epidemic among high achieving women that is resulting in heightened levels of stress and anxiety.

"For the first time, it makes sense that we are not broken or making this up, and we have gained this understanding by looking through the lens of a shared trauma. All of these things have been either forbidden or impossible for women. A woman's power has always been a punishable offense throughout history," stated Rein.

Although the idea of having a disorder may be scary to some and even potentially contribute to a victim mentality, Rein wants people to be empowered by PSD and to see it as a diagnosis meant to validate your experience by giving it a name, making it real and giving you a means to heal yourself. "There are still experiences in our lives that are triggering PSD and the more layers we heal, the more power we claim, the more resilience we have and more ability we have in staying plugged into our power and happiness. These triggers affect us less and less the more we heal," emphasized Rein. While the task of breaking intergenerational transmission of trauma seems intimidating, the author has flipped the negative approach to the healing journey from a game of survival to the game of how good can it get.

In her new book, Patriarchy Stress Disorder: The Invisible Barrier to Women's Happiness and Fulfillment, Rein details an easy system for healing that includes the necessary tools she has sourced over 20 years on her healing exploration with the pioneers of mind, body and trauma resolution. Her 5-step system serves to help "Jailbreakers" escape the inner prison of PSD and other hidden trauma through the process of Waking Up in Prison, Meeting the Prison Guards, Turning the Prison Guards into Body Guards, Digging the Tunnel to Freedom and Savoring Freedom. Readers can also find free tools on Rein's website to help aid in their healing journey and exploration.

"I think of the book coming out as the birth of a movement. Healing is not women against men– it's women, men and people across the gender spectrum, coming together in a shared understanding that we all have trauma and we can all heal."

https://www.drvalerie.com/